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Nicario Jiménez
Naples, FL
Retablos Maker
Traditional Artist


What are Retablos?

Retablos are two dimensional, portable wooden boxes filled with figurines usually made up of a mixture of boiled potato and gypsum powder, depicting religious, historical, political or everyday events. Using a wooden tool resembling a toothpick, Nicario Jiménez creates retablos that reference his life in Ayacucho, Peru and in his new home in the United States. Growing up in the Peruvian Andes, he attributes his love of the tradition to his great-grandfather who made retablos of Saint Mark. During the 16th to the 19th centuries, Spanish priests carried retablos of Catholic Saints through these mountains. Today, Nicario Jiménez is a renowned retablos marker whose work is collected by the Smithsonian Institution, the Rhode Island School of Design and the San Francisco Craft and Folk Art Museum. Nicario has taught and lectured at the University of Miami, the University of California, San Diego, Whittier College and American University.

Websites

Nicario Jiménez

Wikipedia
The Hurricane Online
Polymer Clay Notes
American Weekly

Experience the Exhibit

Nicario Jiménez
The Mask Maker's Workshop
Photo credit: Nancy Sherrill ©2007
What is mastery to Jiménez?

"I never finish a retablo and think, 'This is my best.' My work is never complete.”

Excerpt from The Hurricane Online


About the Artist
Jiménez relays social and political themes through carefully sculpted, intricately painted figures in vibrantly flowered wooden boxes.

While some of Jiménez retablos illustrate traditional themes, many have become vehicles for messages of social change in his hands. "He is an artist who interacts with where he lives," said Stein, UM's Director of Latin American Studies and a longtime friend of Jimenez.

In the 1980s, when Jiménez lived in Peru, his works largely reflected the civil war among the Shining Path guerilla movement, the government, and peasants. Later, when Jiménez moved to the United States, he began to chronicle the plight of undocumented immigrants and the turbulence of the civil rights movement.

"I see what happens in life and I also look at photographs to see what has happened before, and I find a message. It's not just Mexicans, Cubans, or Europeans. I find stories in many people."

Excerpt from The Hurricane Online

 

 
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