Koss’s midwestern roots with blue-collar values are central to his approach to sculpture and his great respect for craftsmanship. Utility is referenced in his work, both in metaphorical terms and through implied movement. Often site-specific, his work references the landscape and use of the land. His subject matter and personal drive keep Koss continually pushing against the boundaries of scale.

Koss is very closely connected to his community, the glass community. In New Orleans, sculptors, dancers, architects are all part of it. Koss wants to raise money for an endowed chair in glass at Tulane. His legacy