Tradition Innovation: American Masterpieces of Southern Craft and Traditional Art    
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Jerry Brown, potter | NEA National Heritage Fellowship 1992
“I’m a ninth-generation potter. I guess that was my call to make pottery and I enjoy doing it.” Jerry Brown from Hamilton, Alabama, continues his long-standing family tradition of creating churns, crocks, bowls and decorative face jugs. In carrying on the craft of alkaline-glazed stoneware, Jerry Brown plays a vital role encouraging other southern folk potters, including his own family members, to keep the tradition alive.
 
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“A lot of people don’t know what traditional means. It means somebody carrying on the art from one generation to the next. Other than two things, I’m still doing the same thing that all my ancestors did going through the nine generations. One of the things, I fire my kiln with gas, where they used wood. And my daddy, the first wheel I ever seen him have was a wheel you kicked by foot. Eventually he went to electric. Other than the gas kiln and the electric wheel, we’re still doing it just like my ancestors did back in the 1700-1800’s.”

“They made pretty well the same kind of pottery, I did. Back then, they made more churns and flower pots and flue thimbles. Back then, everything was made for just about a necessity. They used it. They made a lot of jugs, you know, they put their, I’ve heard my daddy talk about they put their syrup up in jugs and several other things too.”

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