Tradition Innovation: American Masterpieces of Southern Craft and Traditional Art    
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Innovation & Evolution Gallery

At its best, innovation is unexpected or unanticipated; it is the product of playful, inventive minds.


Quotes

“To teach is to learn twice. Creative energy is a constant loop.”

-Kristy Higby

At the center of the creative process is the artists’ willingness to test boundaries and take risks. Often humor and a sense of play enable the imagination and its flow of ideas. Contemporary artists are challenged to take traditional craftsmanship in new directions, creating not only new work but new ways of working for others. Newness, or innovation, is at once the urge of individual expression and a reflection of the openness to change or evolve in the field of contemporary craft.

Neither are traditional artforms passed along unchanged. As they come into the hands of a new generation, they are recast into the present while also referencing past generations. To be a craftsperson is to draw on this wellspring of tradition and innovation.

In Southern folk pottery, for example, innovation coexists with tradition. For generations, family potteries have produced work for everyday use. Folk potters, like all craftspeople, follow certain traditions including digging local clay, and using hand-turning techniques and using specific glazes. Unlike studio artists, these rules are handed down through families who help train the next generation. While these choices help shape a Southern identity, it is the potter’s creative ability that gives the work its unique style.

 
Artists
Phillip Simmons Bessie Johnson
Mozell Benson Craig Nutt
Mark Peiser Elizabeth Brim
Kristy Higby Glen Kaufman
Tom McCarthy Jon Eric Riis
Sunkoo Yuh      
Curators Jean McLaughlin, Contemporary Craft and Kathleen Mundell, Traditional Arts, selected the artists and provided conceptual direction and text for each gallery.
 
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