Her process — involving mold-making
and pressing clay into basic forms which she then adapts
and interprets — results in a meditation on individuality
within a repeated form.
“A huge influence on my art and
my life comes from the geography of place, the place
being South Carolina. By that I mean, the beaches, inland
waterways, the drama of the horizon line that separates
the sky from the ocean, shells picked up on beaches,
the constant drama of changing colors, temperatures
and seasons and time spent gardening with my grandparents
in Florence. Even the red clay soil and the long needled
pine trees indigenous to the low county have imprinted
my heart and soul and my work. I will have to add that
the slower way of life, the unique personalities and
color of southern people and their varied cultures,
have also impacted my life in a deep and special way.
Even the salt air of the coast, the summer heat and
vegetation of the south, the heavy scent of the magnolias
in July, live on in my conscious memory and in my dreams.
Though I consider myself to be somewhat of a world traveler,
I always feel that I am coming home when I return to
South Carolina.” |