| Behind
the over 100 objects presented in Tradition/Innovation
are 58 traditional artists and contemporary craftspeople,
living and working in nine Southern states. Their
own voices, histories and insights provide a unique
perspective. |
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Meet
the Artists – Each page shares the artist’s
background, images of their work in the exhibit, and
links to more information about them.
Artist
Locations – See where the 58 artists live
and work.
Medium
Galleries – In these galleries you’ll
see the variety of ways in which different artists work
in the same medium, and learn about their process. Here
is Carol Welch describing dyeing river cane for her
baskets: “To dye cane, it
usually takes about two days, to get it to take the
dye, boiling, maybe anywhere from eight to ten hours
a day. I use butternut roots and walnut roots. The butternut
gives black, and walnut different shades of brown. And
bloodroot is a plant and it does the orange, different
shades of orange.”
National Endowment
for the Arts Awards – Three of the artists
in Tradition/Innovation have received NEA Visual/Crafts
Artist Fellowships, recognizing their artistic excellence:
Six of the artists have been awarded a National
Heritage Fellowship, awarded by the National Endowment
for the Arts, the highest honor the country can bestow
on a traditional artist:
- Mozell
Benson, Quilter, Waverly AL
- Jerry
Brown, Potter, Hamilton AL
- Gladys
LeBlanc Clark, Cajun Weaver/Spinner, Duson LA
- Vernon
Owens, Potter, Seagrove NC
- Philip
Simmons, Ornamental Iron Worker, Charleston SC
- Nick
Toth, Diving Helmet Designer/Builder, Tarpon Springs
FL
Visitors Guide – Read the stories behind ten of the
artists and artworks in Tradition/Innovation
– along with questions to encourage your own thinking
about mastery, the creative process, and how contemporary
craft and traditional arts fit into our lives today.
Audio
Tour – A narrator and the voices of the artists
themselves draw you into the exhibit and how these masterpieces
were created, whether they are a unique and new interpretation
of an idea, or are today’s result of generations
of training and creativity.
Interviews
– Of particular interest to students, scholars
and researchers, several of the Tradition/Innovation
artists granted interviews to assist in the development
of the exhibit.
Portions of audio recordings are
available for educational purposes.
The full, unedited audio recordings
are available upon request for educational purposes.
Please contact Teresa
Hollingsworth for more information.
Curators and researchers have developed transcriptions,
summaries and answers to questionnaires
from interviews as well; these documents are available
here for educational purposes.
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