Tradition Innovation: American Masterpieces of Southern Craft and Traditional Art
 
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Fiber Arts in the Exhibit: Curators Statements

Jean McLaughlin
Contemporary Craft Curator

When one studies the development of ancient cultures, the introduction of paper, baskets, and woven textiles is a watershed moment. It indicates that the culture has arrived at a moment of high technical achievement--reflected in language and communication, shelter and protection (housing and clothing), agriculture and commerce, religion and politics, etc. The definition of what it means to be a human being cannot be separated from the use of textiles. The woven artifact with its close association with crossing fibers is a metaphor for the complex interaction necessary for civilization—a structural interdependence and support.

Introductory Section Contents:
Overview of the Exhibit
Regional/State Maps of Exhibiting Artists
Pre- and Post-Visit activities
Themed Galleries/Lesson Plans
PowerPoints by discussion topic
Create your own gallery activity

Supplementary Materials
Resources

Resources for teaching - Textiles

Fiber Arts in the Exhibit Overview
Curators’ Statements
National Standards Addressed
General Web Resources
Guiding Question for Unit
Statement for Students
Vocabulary
Media-Based Activities
Cross-Curricular Connections
Using the PowerPoint™ Presentation

Main Teaching Materials Page
All National Arts Standards

Kathleen Mundell
Traditional Arts Curator


Master quilter, Mozell Benson, learned to make quilt tops from flour sacks, with her mother’s help, for her nine brothers and sisters. Although much of traditional quilting came from recycling scraps and finding a beautiful and practical use for remnants, many quilters today chose their materials based on personal aesthetic choices that creatively reference family and community history.

Today, traditional textiles artists have an extraordinary range of materials and patterns to choose from. Their work reveals craftsmanship that goes beyond functionality. Many of the Mississippi Crossroad Quilters for example, seek out the best natural materials, although polyester blends are often the most readily available. Quilters see their work as heirlooms and only the best quality materials are used.

 
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