Tradition Innovation: American Masterpieces of Southern Craft and Traditional Art    
Home Learn Teach Purchase Visit the Show Contact
Teach Wood: Media-Based Activities

Invite a local or regional woodworker, boat builder, furniture maker or instrument maker to visit your class, demonstrate and/or lead a hands-on activity. If you do not know a local artist, consult the website of your state arts agency to find one. You may be able to write a grant to have an artist residency. See General Arts Education Resources.

Have your students research the different types of wood used by the artists in this section, especially those that are native to the South. You might assign a small group to each type of wood mentioned. Note that not all of these names refer to a species. Some refer to a specific condition of the wood, such as sinker cypress, curly maple, old-growth Florida cypress, spalted wood.

Introductory Section Contents:
Overview of the Exhibit
Regional/State Maps of Exhibiting Artists
Pre- and Post-Visit activities
Themed Galleries/Lesson Plans
PowerPoints by discussion topic
Create your own gallery activity

Supplementary Materials
Resources

Resources for teaching - Wood

Overview
Curators’ Statements on Wood
General Resource Websites
National Standards Addressed
Guiding Question for Unit
Statement for Students
Vocabulary words
Media-Based Activities
Cross-Curricular Connections

Main Teaching Materials Page
All National Arts Standards

Groups should prepare a presentation with visuals that include the art object in this exhibit that makes use of the wood.

Useful websites:
http://www.woodworking.org/WC/woodsampler.html
http://en.wikipedia.org/wiki/Curly_maple
http://www.lindquiststudios.com
http://www.acbs-bslol.com/Porthole/HigginsLCVP.htm
http://www.pinemountainbrand.com/technicalinfo.htm
http://forestry.about.com/library/tree/blbass.htm
http://www.cajuncypress.com/SinkerCypress
http://www.heartpine.org

Extensions

Have students find out what kind of trees grow in your region and how they are used.

Visit a local woodworking studio, sawmill, or state or national forest.

After viewing the vegetable-inspired furniture produced by Craig Nutt, use the lessons on either of these sites:


After viewing the animal carvings of Minnie Adkins, use the lessons on either of these sites:

After viewing the horse carving by Virgil Ledford, try this site for a horse sculpture lesson.


Mark Lindquist’s art in the exhibit is from a series of sculptures called Ichiboku, literally “one tree.” It is a type of Japanese sculpture made from a single block of wood. Challenge your students to find out more about this ancient Japanese art and to identify the other references in the names of Lindquist’s work.
In his audio interview, Craig Nutt said, “Having worked with
antiques, I do like the idea of sending a message into the future in the form of my work, hoping that it would communicate something about me, my culture, and my time - to someone in the future. I have been the recipient of such messages in museums, in objects I have acquired, and in repairing those objects. Basically, I hope I am creating some work that resonates with someone out there, in the present or in the future.”

Challenge your students to identify some object that has given them a “message” from the past, whether in a museum or in some family heirloom. Ask them to draw a picture (or take a photograph) of the object and to describe the experience of feeling connected to the past through that object. This can be a springboard for a personal narrative, a poem, or a fictional piece.

Ask your students what objects they would put into a time capsule to be opened in the future that would carry a message about our times. Ask them to explain the significance of each object. This can be an individual or small group assignment.


Jean Horn is a luthier, a person who makes stringed instruments. After viewing his work, demonstrate simple concepts of the luthier’s trade with a rubber band guitar. Make it by cutting a circle in the top of a sturdy box for the sound hole. Stretch rubber bands or elastic around the box and lift the elastic off the box with pencils at each end to avoid buzzing. Have students experiment with different thicknesses, lengths, and tensions and discuss the effect. You could extend this by having each student create a “stringed” instrument of some sort and then sharing them with the class.


Wood Turning
If you are fortunate enough to have a woodworking shop at your school, you could lead students in making a wooden bowl using the instructions found at:
http://psischools.com/how-to_bowl.html. If you don’t have a woodworking shop, you can use this site to demonstrate to students the processes involved in turning wood to create functional art.

The Wood Gallery PowerPoint™
The PowerPoint™ for this gallery has images to help you lead a discussion about how three different carvers have used the elements of art to create their own distinctive style of animal sculpture. You could use this same process to discuss other works of art in this gallery or in other galleries.

If you want to lead students in a discussion about the purposes of art objects made from wood (and there is quite a variety in this gallery), you could use the PowerPoint™ in the fiber arts gallery as a model.

Download the presentation (zipped)




 
  Southern Arts Federation logo National Endowment for the Arts logo

Questions or concerns about this site structure should be directed to the webmaster.

©2008-2010 South Arts